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April 2002
Viewpoint
Can you see me now?
Cynthia Wisehart, Editorial Director

Features
Hard-Core Encoding
By Barry Braverman

Pursuing a “Pipe Dream”
By Claudia Kienzle

The New Conferencing: A Meeting of Minds and Media
By Stephen Porter

Video for Worship
By Tom Patrick McAuliffe

World Travelers
By Peter H. Putman, CTS

Numbers
April 2002 Numbers
Compiled by Andrea Harden

Products
Products

Solutions
Film-to-tape transfer
By Trevor Boyer

Life on the street
By Trevor Boyer

Saving the last dance
By Ann Muder

Perspectives
And then there were four
By Jeff Sauer

The Cut
A different approach
By Bob Turner

Tech Tips
Bandwidth basics
By Steve Epstein

Reviews
1 Apple Final Cut Pro 3
BY JIM B. GRANT

2 Prismo Graphics India Pro
BY FRANK MCMAHON

3 Contour Design ShuttlePro
BY TOM PATRICK McAULIFFE

4 Adobe Photoshop 7.0
BY S. D. KATZ

Inbox
It's all in the timing

 
Article
 
Life on the street

By Trevor Boyer

Video Systems, Apr 1, 2002
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For six weeks this winter, people taking a walk through New York City's Rockefeller Center at night saw their actions mimicked on the sidewalk in Lilliputian fashion. From above, a hanging projector beamed a 4'×6' carpet of light that framed the adventures of small, lifelike animated characters. This sidewalk show was actually a public art project called Pedestrian by Paul Kaiser and Shelley Eshkar of Riverbed Studios in New York.

To create realistic characters for a vivid city scene in Pedestrian, the duo relied on motion capture from a Vicon system at the University of California-Irvine and another system at Modern Uprising Studios in Melville, N.Y., for cleanup. The footage was then imported into Discreet Character Studio, an extension of 3ds max. Eshkar, who focuses on character design, created 40 different bodies in Physique that would walk, run, shadowbox, and play hopscotch. The 13-minute video follows characters through urban environments like plazas and parks.

Instead of including obvious New York landmarks, the team developed somewhat familiar environments — like a Rockefeller Center-inspired skating rink — that Kaiser hoped would spark viewers' imaginations. He says the video is meant to evoke a dream-like quality, and the motion-captured footage allowed “having uncanny realism while at the same time realizing that it's completely synthetic.”

A 10,000ANSI lumens projector beamed the looped video to the sidewalk at Rockefeller Center, and the video was also displayed at the Eyebeam Gallery in Chelsea and the Studio Museum in Harlem.

Future plans have Pedestrian traveling to the sidewalks of Washington D.C., San Francisco, Germany, and Bruges, Belgium.


Trevor Boyer is associate editor for Video Systems.

For More Information

Discreet
Montreal
514-393-1616
www.discreet.com



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